VIVO has not disappeared, it’s just gone underground while the landlord laughs and the City of Vancouver steps in to the rescue.
I’m teaching my very popular Final Cut Pro X workshop there on July 12th, now EXTENDED by one hour to fill you up with Apply goodness.
Total 4 hours (Saturday, July 12th, 1-5pm) | $42.50 for VIVO members / $50 for nonmembers
Learn how to import, edit video, add effects and titles, and output to dvd, web, or master files on the once-and-future king of editing software. Stop paying for Adobe subscriptions and get back on the FCP bus!
Final Cut Pro X has finally overcome the clunky launch and now it does pretty much everything an editor needs it to do. (Beginner workshop)
Instructor: Flick Harrison
This Month | VIVO Media Arts Centre.
Toronto Public Library is hiring a filmmaker for a unique and fun job: our Fall 2014 Innovator in Residence.
The recently-opened Hub is a learning and creation space that gives anyone with a library card access to a wide range of digital tech, including: Mac computers, laptops and tablets; HD cameras; a green screen; and video editing software, like Final Cut Pro, Adobe Premiere and iMovie.
The Innovator in Residence’s job will include the following tasks:
* Meet with customers to critique and answer questions about their video projects
* Create and offer film-related programs and workshops for the public
* Post on the Digital Design and Technology Blog (this blog)
See the job posting (PDF) for full details – including info on how to apply. Deadline to apply is Monday, June 30.
I finally figured out how to do something that should have been a no-brainer in FCPX:
Audio-only crossfades in the whole timeline! Or add multiple sound-only dissolves at the same time to as many clips as you select.
Almost every time I edit, I need to add soft audio transitions between cuts. All of them. Even a smash cut that you WANT to be jarring can create an unwanted “pop” when the playhead jumps from one digital audio file to another.
One of the first things I learned working at CBC in the early 90’s is that a 3-frame audio crossfade is the best way to smooth out a sound cut without actually making a noticeable overlap.
One of my main reasons for avoiding Final Cut X for almost two years was the difficulty of adding audio-only dissolves. In FCP 7, you could select your whole timeline, hit command-shift-t, and there you’d have it.
FCPX official workflow is to right-click->expand audio/video, then drag the ends of the audio clips each way so that they are overlapping, then drag the fade handles inwards so that the fades overlap.
GIVE ME A BREAK! For hundreds of edits?! Do I have a sign on my back that says “Please give me carpal tunnel syndrome?”
SO I’ve been perfecting this workflow and thanks to Alex4D, and a little poking around, I’ve solved it.
Continue reading “Add audio transitions to your entire timeline in Final Cut Pro X!”
I wrote this email to Larry Jordan, author of the famous + awesome training website for video editors. I was wondering how the new Library structure in FCPX 10.1 would hobble the economical archivist in me. Since I end up doing some explaining and pontificating, and his answer is very useful, I figure I should share it here.
It’s a big relief to know I can keep archiving projects in a way close to what I’ve been doing all along: minimizing the amount I need to backup, to the safest medium, with surest results and minimal work.
Libraries are noob-proof, but they are not power-user-proof. That’s good.
I love your website and I’ve found it helpful as I finally switch over to FCPX.
One thing I will miss from FCP7 and my 2 years on Premiere is the ease of permanent archives.
Continue reading “Long-term archiving projects for Final Cut Pro X”