More news to come – but here’s a picture of the new collective I just joined with Juliana Bedoya, Maggie Winston, Natalie Gan, Laura Barron, AND ME!
Louis Laberge-Côté on SunTV and Margie Gillis
On June 1, 2011, SunTV broadcast an interview with veteran Canadian dancer and choreographer Margie Gillis see link below, which quickly turned abusive towards the guest. In a message on his facebook page, Canadian dancer Louis Laberge-Côté, currently a teacher at Nationaltheatre Manheim in Germany, offered this assessment.
In response to the Sun News Network interview with Margie Gillis
By Louis Laberge-Côté
Contemporary dancer / choreographer / teacher / arts lover / taxpayer
If by attacking dance artist Margie Gillis on the Canada Live show aired on June 1st, Krista Erickson, anchorwoman for the Sun News Network, intended to publicly insult a well-respected artist on a sensationalist broadcast news channel, she certainly achieved her goal. Of course, Miss Erickson is allowed to have her own opinions and she has the right to express them. But when it comes to journalism, shouldn’t it be somewhat of a moral obligation for the reporter to put aside her personal opinions to look at a situation from different perspectives, gather information from different sources and, obviously, allow her guest to express her point of view? Isn’t it ridiculously unprofessional and profoundly inhumane to invite a woman such as Margie Gillis just to publicly bully her, with no possibility for real discourse, in the name of a few minutes of “great television”?
Inside the Burrard Bridge Stairwell
I’m doing the cinematography for a project with Josh Hite and Scott Billings, untitled for now.
They are creating a machine to bring a camera up and down the center of the long-closed Burrard Bridge stairwell, in a repeatable spiral pattern. Then actors will be performing gestures, scenes, and actions on the stairs, drawn from a collection of movies that feature scenes in stairwells.
Here’s a writeup from Price Tags, which talks more about the project and tells you how you might get involved, if you want…
Flick’s Video Art at W2 – March 18
Well if my birthday wasn’t cool enough, I’m having a group show with Drop Out Video Arts at W2 on March 18!
I’ll be projecting the first aspect of a piece called DOARIP (Death of Analog, Rest in Pieces) involving Avatar and smashed televisions.
More to follow…
Here’s the website for Drop Out Video Arts
And the trailer for the show:
Cool Nairobi kids and their bike song
Instead of linking the horrible video of a guy driving through Critical Mass in Brazil,
Here’s a wicked counter-punch from the Wafalme kids in Nairobi.
Critical Mass February Vancouver
I think I have frostbite in my little toes. But it was worth it to Critically Mass.
I also did an interview with Openfile.ca, a new online / local news service, about the question of whether critical mass is needed in the New World of Bike Lanes. I’ll post that when it’s written up.
The big question today was – what would become of the pseudo-counter-mass which was meant to draw riders off into the bike lanes, to celebrate them and avoid angering the Easily-Angered Car Gods?? Well, it looked like there wasn’t much of an issue – Jamie Ollivier was there, doing his thing, and the main Mass did ours.
Umberto Eco: Not such wicked leaks
From nettime-l, the international net.criticsim discussion list.
Re: Umberto Eco: Not such wicked leaks.
I think this article [about the mundane nature of the wikileaks cables] is un-Ecoistically weak, in that he seems to miss much of the substance of the leaks.
In the case of Canada, a long blow-by-blow review of a Canadian made-for-TV movie series was sent by secret cable to Washington and revealed the deeply wounded psyche of the American diplomats doing the review. Eco is right that the cable consists mainly of mass-media summaries, but they are more useful than he acknowledges.
Getting posted in what Mordecai Richler called “small-town Ontario” must have been bad enough for the yanks in the embassy. Even worse was to find that these small-time hicks had their own national television network, and that on this network were unflattering portrayals of the war on terror.
“While this situation hardly constitutes a public diplomacy crisis per se, the degree of comfort with which Canadian broadcast entities, including those financed by Canadian tax dollars, twist current events to feed long-standing negative images of the U.S. — and the extent to which the Canadian public seems willing to indulge in the feast – is noteworthy as an indication of the kind of insidious negative popular stereotyping we are increasingly up against in Canada.”
You can feel the pique in the cable-writer’s words. He’s annoyed by the audacity of left-wing ideas expressed dramatically, of course, and he’s insulted that America is not more respected and admired. He confuses “negative stereotyping” of Americans with negative views of US foreign policy. And of course, he eventually brings it around to the vital topic of how these free-thinking heresies might affect vital US trade interests.
The embassy cable goes on to review, in stunning detail, several Canadian television shows. What struck me was the tone of the reviews. The editorial slant matched precisely the most conservative voices in Canada: the ones who want to eliminate public broadcasting, the funding of culture, multiculturalism etc; the ones who wish we had gone to Iraq; the ones who think liberal is a dirty word.
More importantly, before the cables were leaked, the US showed how vital the tone of these leaks was, rather than their content. They made sure to pre-spin the leaks as “embarrassing” for Canada, not the US, and they said they would reveal elements of Canada’s “inferiority complex.” This is the traditional right-wing spin in Canada; being against free-trade shows an “inferiority complex.” Refusing to go to Iraq is an “inferiority complex.” Etc etc.
-Flick Harrison
Georgia Straight preview of Extra Extra
There’s an interview in the Georgia Straight with Judith Garay, choreographer of the dance piece, Extra Extra, for which I’m making video…
“Known for her abstract yet compelling choreography, Garay’s latest project is a typically comprehensive undertaking, employing as it does 10 dancers, a sample-heavy score from electronic composer Ted Hamilton, and a video collage of found footage courtesy of filmmaker and political satirist Flick Harrison. And in a way, the dancing in Extra Extra reflects her accomplices’ cut-and-splice approach, as it began with the performers assuming poses and imitating gestures drawn from the front page.”
Report from the International Digital Media Arts Association Conference 2010
(updated after a nap and some tweaks)
The Media Arts world reminds me a lot of the cinema world, in the sense that hardcore theory, artists, and commercial producers are in the same room together. The theorists want to argue, the artists want to make you go hmmm, and the bizzy folks just want to show off how awesome they are! That’s what made the collection of speakers and topics today at IDMAA at Emily Carr University in Vancouver so interesting.
The first presentation I really absorbed was Stephanie Tripp’s discussion of the non-human raconteur. She basically placed randomization / machinic narrative tools of the new-media area on a spectrum with Surrealists, John Cage and so on. The idea that non-human actors collaborate with the author of a work by introducing uncontrolled factors. Reminded me of Chris Ghallager’s Atmosphere, in which he specifically mocks intentionality by making the viewer guess what motivates the endless panning action of a camera. At the end, we discover that the pans are made by a sail attached to the camera, blowing in the wind. Ha ha, and so much for intentionality, but what I think is that the intentionality is there in the construction of the random event, and so the attempt to undermine our faith in intentionality with non-human intervention in the narrative is ultimately just a parlor trick that, for me, falls flat.
Continue reading “Report from the International Digital Media Arts Association Conference 2010”
I want your TV!!
I am looking to collect as many FREE TV’s as possible between 11 and 4 pm on Saturday Sept 11.
I need them for a theatre show with Conspiracy / Gasheart theatre.
I’ll have a vehicle and a power adapter to test the tv’s out on the spot. Old, new, rabbit ears, rca-input or cable… I want it!
I think it costs you $75 to recycle an old tv these days so I can solve that problem for you.
Please email me: flick at flickharrison.com with your address (with cross street so i can map my tv hunt efficiently) and phone number so I can call to confirm.
Thanks,
Flick Harrison