Extraction is in the works

Extraction Chinese Character
Extraction Cast and Crew

After two years of research and planning, Theatre Conspiracy is digging into the creation of the documentary-style play Extraction. Our international cast and team of theatre artists are in residence at The Cultch in Vancouver for the next couple of weeks to experiment before a work-in-progress presentation at Your Kontinent: Richmond International Film & Media Arts Festival on July 21. Continue reading “Extraction is in the works”

The Cultch presents Extraction

Here’s a little taste of the show I’m working on for Theatre Conspiracy.  Our workshop performances will happen in July at the Cultch and at the Richmond Int’l Film & Media Arts Festival.

The Cultch presents Extraction – YouTube.

“Through the biographies of four performers, the bilingual, documentary-style play Extraction looks at lives transformed by the rapid growth of Beijing and Fort McMurray, Chinese investment in Alberta’s tar sands and the evolution of Canada/China relations.

Extraction, directed by Amiel Gladstone, will run March 5-9, 2013, as part of the season at The Cultch in Vancouver. Theatre Conspiracy was presented with the annual Rio Tinto Alcan Performing Arts Award, a $60,000 prize that will support the development and production of Extraction.”

The Fine Line: Twisted Angels at Woodwards

I’ve just polished up the multimedia projections on this new dance work for Dancers Dancing.  I’ve been working with Judith Garay for years as a videographer and now as a projections designer.

For this show I’ve been using Isadora with Osculator, to allow Wii controllers in the dancers’ costumes to affect the projections.  I’ve played with a little animation, and I have an infrared camera doing a some motion detection.  It will be an awesome experiment for me and the dance, music, costumes and lighting are beautiful.

Please come and check it out!

The Fine Line – twisted angels

May 23-26, 2012 | 8:00 PM
$25 Adults | $15 Student/Seniors

Studio D, 2nd Floor
Goldcorp Centre for the Arts

Dancers Dancing and SFU Woodward’s Cultural Programs
present, as part of the SFU Woodward’s Faculty Research Series, the world premiere of

The Fine Line ~ twisted angels
A multi-media dance work inspired by perception, revelation and change

Performed by Cai Glover, Vanessa Goodman and Bevin Poole of Dancers Dancing.

Choreographed by Judith Garay, Artistic Director of Dancers Dancing
Music by Patrick Pennefather
Costumes by Margaret Jenkins
Lighting Design by John Macfarlane
Video Design by Flick Harrison

A PERFORMANCE TALK BALK WILL BE HELD AFTER THE SHOW ON THURSDAY, MAY 24TH.

The Fine Line ~ twisted angels explores in movement, sound and image how we experience, perceive, relate to and react to our internal and external worlds. Ephemeral, sometimes transformative, the moments between perceiving, sensing and cognition create a rich tapestry of somatic images. The work engages with the fragility of our existence and risks the deep and dark journeys necessary to project the internal experience directly onto the stage.

Since 1999 Dancers Dancing has mounted productions both in Vancouver and on tour. The company is known for its passion and technical excellence, and for reaching diverse audiences. The press has called the company “…truly exciting…” and a recent production “Bursting with energy from the moment the curtains open, this powerhouse of a show was a delight from beginning to end…” Artistic director Judith Garay has been choreographing professionally for over three decades starting in New York where The New York Times called her “A choreographer with a sure inventive touch” and more recently in Vancouver where The Georgia Straight said “Garay has an incredible ability to boil down relationships to simple gestures that are loaded with meaning.”

 

Signal Out: Remote Artist Talk from Newfoundland!

So without much more than a crashed Macbook to slow us down, Something Collective‘s first presentation of “Signal Out” went off great.   Liz Solo and the Black Bag Media Collective presented Flick Harrison‘s films in St John’s, Newfoundland while we showed Liz’s music-video and machinima work here at our studio at Moberly Cultural Centre.

After the screenings, we did live Skype chats so the audience could Q & A.  I spoke a lot about Final Cut Pro vs Adobe software and the future of independent video editing. Liz, for her part, talked about Second Life and the combination of joy and horror she feels in that phantasmagoric shopping mall.

Liz got to bed VERY late – the time difference is 4.5 hours – and a good time was had by all, at both ends of this giant country.

 

After ‘The Wire’ ended, Sonja Sohn couldn’t leave Baltimore’s troubled streets behind

“We are talking about a throwaway population that adults think are too far gone,” Sohn says later. “We’re talking about kids that people have given up on over and over and over again. They don’t feel like anyone is there for them. They may have parents who love them, but they’ve been falling back on themselves for so long that if you come in front of their faces talking, and not backing it up with action, you just become another one of the people who have disappointed them.”

After ‘The Wire’ ended, actress Sonja Sohn couldn’t leave Baltimore’s troubled streets behind – The Washington Post.

Flick’s photos featured on Etsy blog

So I’m starting to get into photography lately. Since video and stills are converging I might as well stop resisting…

Etsy featured my shots of Laura Treloar, a cool jeweler (of Specimental Design) with whom I work in her capacity as a high school art teacher… If the next paragraph doesn’t make you feel lazy, all I can say is “yeesh!”

Apart from creating things, what do you do?
Specimental keeps me as busy as a full-time job. I am a single mother to three small children, who are now 4, 6 and 7.  I am also a full-time high school art teacher here in Vancouver, Canada. I live in a 100-year-old house which is nearing the end of a five-and-a-half-year complete restoration of the interior and exterior. When I am not busy with any of these pursuits, I am often found vacuuming. It’s how I relax.”

Featured Seller: Specimental | The Etsy Blog.

Umberto Eco: Not such wicked leaks

From nettime-l, the international net.criticsim discussion list.

Re: Umberto Eco: Not such wicked leaks.

I think this article [about the mundane nature of the wikileaks cables] is un-Ecoistically weak, in that he seems to miss much of the substance of the leaks.

In the case of Canada, a long blow-by-blow review of a Canadian made-for-TV movie  series was sent by secret cable to Washington and revealed the deeply wounded psyche of the American diplomats doing the review. Eco is right that the cable consists mainly of mass-media summaries, but they are more useful than he acknowledges.

Getting posted in what Mordecai Richler called “small-town Ontario” must have been bad enough for the yanks in the embassy. Even worse was to find that these small-time hicks had their own national television network, and that on this network were unflattering portrayals of the war on terror.

“While this situation hardly constitutes a public diplomacy crisis per se, the degree of comfort with which Canadian broadcast entities, including those financed by Canadian tax dollars, twist current events to feed long-standing negative images of the U.S. — and the extent to which the Canadian public seems willing to indulge in the feast – is noteworthy as an indication of the kind of insidious negative popular stereotyping we are increasingly up against in Canada.”

You can feel the pique in the cable-writer’s words. He’s annoyed by the audacity of left-wing ideas expressed dramatically, of course, and he’s insulted that America is not more respected and admired. He confuses “negative stereotyping” of Americans with negative views of US foreign policy. And of course, he eventually brings it around to the vital topic of how these free-thinking heresies might affect vital US trade interests.

The embassy cable goes on to review, in stunning detail, several Canadian television shows. What struck me was the tone of the reviews. The editorial slant matched precisely the most conservative voices in Canada: the ones who want to eliminate public broadcasting, the funding of culture, multiculturalism etc; the ones who wish we had gone to Iraq; the ones who think liberal is a dirty word.

More importantly, before the cables were leaked, the US showed how vital the tone of these leaks was, rather than their content. They made sure to pre-spin the leaks as “embarrassing” for Canada, not the US, and they said they would reveal elements of Canada’s “inferiority complex.” This is the traditional right-wing spin in Canada; being against free-trade shows an “inferiority complex.” Refusing to go to Iraq is an “inferiority complex.” Etc etc.

-Flick Harrison

Why the Low-budget Filmmaking Glut will be Good

Some people complain that filmmaking is becoming too inexpensive, and now anyone thinks they can make a film. They say this will result in a glut of bad films.

Well, what did we have before? Too many good films?

Anyone who says this is an elitist arse. When they complain about too many people making films, they most certainly do not mean themselves. No, they have surpassed some mystical benchmark of divine birthright, involving a combination of ‘natural’ talent, intelligence, and insight combined with superior upbringing, and they therefore have a right to consider themselves an artist.

Bollocks!

Continue reading “Why the Low-budget Filmmaking Glut will be Good”