January Critical Mass Vancouver

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This week there’s been a debate on the Velolove email list in Vancouver about Critical Mass: should it be abandoned or radically altered now that we have a few bike lanes and a pro-bike council?  The debate got me so riled I decided to go to Critical Mass for the first time in years, partly to re-assess my ideas about the event.  I also wanted to show support for bike culture in general at a time when the haters are hating and they’ve taken over Toronto.

A basic medical ethic says: First, do no harm.  In other words, don’t make things worse or it will be harder to make them better.  A few folks think that Critical Mass does more harm than good, especially now that bike culture has invaded city hall.

I don’t think CM needs to stop just because we got a couple of bike lanes built in Vancouver.  How many Vancouverites really understand how important CM, and other bike-advocacy clusters, really were in that process?  The visibility of any interest group contributes to their political success, and cyclists are no exception.  So if CM faded away, what would happen to everything cyclists have gained in this city?  Do the powers behind the automotive industry and consumer culture in general just fold up their tents and admit defeat?

Would those same people argue that the car culture in Toronto will now sit back and enjoy their victory, stop agitating their base, etc, now that Rob Ford has declared the war on the car is over?  Should the cyclists in TO just give up?  No to both, of course; cars will keep trying to consume everything put into their gas tanks and cyclists will keep struggling for saner alternatives.

Is there any other activist camp that has a big public party once a month?  CM is a vital and unique node, and it should continue.

I can assure you that after a super-fun, polite, and exciting tiny little ride (one person counted 28 riders at peak), I came away certain that Critical Mass can do no harm.  We got one unfriendly honk versus dozens of friendly toot toots, lots of hollers, the group stayed very tight (it was small, after all) and corking was barely necessary.

Gloria’s Cause knocks me out at the Push Festival

GLORIA’S CAUSE

@ the Push Festival 2011

Gloria’s Cause is a knock-down drag-out fight between dance, movement, theatre, and rock, and the winner is We the People. If I had to help you get a grip on the show, I could call it a Rock Opera. Or I could say it’s as if Frank Zappa dosed the Tea Party with mushrooms, and then jammed with them on Jerry Springer.

There were at least two separate moments in the show when I was more moved than I’ve ever been by dance, and I mean an emotional arrest of the kind that happens seldom in a cynical viewer’s lifetime. Continue reading “Gloria’s Cause knocks me out at the Push Festival”

Brief Encounters Promo Clip

Yet another evening of artistic blind dates, yet another promo clip I produced for the Tomorrow Collective. This is a sample of live documentation, which is shot as a safe wideshot to ensure the artists get all the choreography, setting, etc for posterity.

Brief Encounters is an interdisciplinary art event that throws different artists together to make short performances. They go from total strangers to presenting a work in two weeks.

Continue reading “Brief Encounters Promo Clip”

Umberto Eco: Not such wicked leaks

From nettime-l, the international net.criticsim discussion list.

Re: Umberto Eco: Not such wicked leaks.

I think this article [about the mundane nature of the wikileaks cables] is un-Ecoistically weak, in that he seems to miss much of the substance of the leaks.

In the case of Canada, a long blow-by-blow review of a Canadian made-for-TV movie  series was sent by secret cable to Washington and revealed the deeply wounded psyche of the American diplomats doing the review. Eco is right that the cable consists mainly of mass-media summaries, but they are more useful than he acknowledges.

Getting posted in what Mordecai Richler called “small-town Ontario” must have been bad enough for the yanks in the embassy. Even worse was to find that these small-time hicks had their own national television network, and that on this network were unflattering portrayals of the war on terror.

“While this situation hardly constitutes a public diplomacy crisis per se, the degree of comfort with which Canadian broadcast entities, including those financed by Canadian tax dollars, twist current events to feed long-standing negative images of the U.S. — and the extent to which the Canadian public seems willing to indulge in the feast – is noteworthy as an indication of the kind of insidious negative popular stereotyping we are increasingly up against in Canada.”

You can feel the pique in the cable-writer’s words. He’s annoyed by the audacity of left-wing ideas expressed dramatically, of course, and he’s insulted that America is not more respected and admired. He confuses “negative stereotyping” of Americans with negative views of US foreign policy. And of course, he eventually brings it around to the vital topic of how these free-thinking heresies might affect vital US trade interests.

The embassy cable goes on to review, in stunning detail, several Canadian television shows. What struck me was the tone of the reviews. The editorial slant matched precisely the most conservative voices in Canada: the ones who want to eliminate public broadcasting, the funding of culture, multiculturalism etc; the ones who wish we had gone to Iraq; the ones who think liberal is a dirty word.

More importantly, before the cables were leaked, the US showed how vital the tone of these leaks was, rather than their content. They made sure to pre-spin the leaks as “embarrassing” for Canada, not the US, and they said they would reveal elements of Canada’s “inferiority complex.” This is the traditional right-wing spin in Canada; being against free-trade shows an “inferiority complex.” Refusing to go to Iraq is an “inferiority complex.” Etc etc.

-Flick Harrison

Georgia Straight preview of Extra Extra

There’s an interview in the Georgia Straight with Judith Garay, choreographer of the dance piece, Extra Extra, for which I’m making video…

“Known for her abstract yet compelling choreography, Garay’s latest project is a typically comprehensive undertaking, employing as it does 10 dancers, a sample-heavy score from electronic composer Ted Hamilton, and a video collage of found footage courtesy of filmmaker and political satirist Flick Harrison. And in a way, the dancing in Extra Extra reflects her accomplices’ cut-and-splice approach, as it began with the performers assuming poses and imitating gestures drawn from the front page.”

Check it out….

Report from the International Digital Media Arts Association Conference 2010

(updated after a nap and some tweaks)

The Media Arts world reminds me a lot of the cinema world, in the sense that hardcore theory, artists, and commercial producers are in the same room together. The theorists want to argue, the artists want to make you go hmmm, and the bizzy folks just want to show off how awesome they are! That’s what made the collection of speakers and topics today at IDMAA at Emily Carr University in Vancouver so interesting.

The first presentation I really absorbed was Stephanie Tripp’s discussion of the non-human raconteur. She basically placed randomization / machinic narrative tools of the new-media area on a spectrum with Surrealists, John Cage and so on. The idea that non-human actors collaborate with the author of a work by introducing uncontrolled factors. Reminded me of Chris Ghallager’s Atmosphere, in which he specifically mocks intentionality by making the viewer guess what motivates the endless panning action of a camera. At the end, we discover that the pans are made by a sail attached to the camera, blowing in the wind. Ha ha, and so much for intentionality, but what I think is that the intentionality is there in the construction of the random event, and so the attempt to undermine our faith in intentionality with non-human intervention in the narrative is ultimately just a parlor trick that, for me, falls flat.

Continue reading “Report from the International Digital Media Arts Association Conference 2010”

Flick designs video for Dancers Dancing

I’ve been commissioned to design video projections for Dancers Dancing’s piece Extra Extra, at the Firehall Arts Centre from December 1-4th.

Judith Garay, choreographer, has been a longtime colleague of mine, but this is the first time I’ve been invited to enter into the live performances as a projection designer!

The work is about media, war, sports and entertainment, and has never been performed in its entirety: an earlier production had the misfortune to lose Kevin Bergsma, fabulous dancer, on the DAY of the SHOW to a serious injury!

Choreographed by Judith Garay, artistic director of Dancers Dancing, with commissioned music by Theodore Hamilton, costumes by Margaret Jenkins, lighting by John Carter and video by Flick Harrison.  Extra Extra will be performed by ten expressive, strong and versatile dancers of Dancers Dancing.

I want your TV!!

I am looking to collect as many FREE TV’s as possible between 11 and 4 pm on Saturday Sept 11.

I need them for a theatre show with Conspiracy / Gasheart theatre.

I’ll have a vehicle and a power adapter to test the tv’s out on the spot. Old, new, rabbit ears, rca-input or cable… I want it!

I think it costs you $75 to recycle an old tv these days so I can solve that problem for you.

Please email me: flick at flickharrison.com with your address (with cross street so i can map my tv hunt efficiently) and phone number so I can call to confirm.

Thanks,

Flick Harrison

Vancouver Drawdown festival photos!

drawdown pic

Josh Hite and Flick Harrison mentored some volunteer photographers at the Vancouver Drawdown this past weekend – if you don’t know the event, it’s the first one ever, and the photos should explain it all.

There was a Chalk Drop at community centres around the city, and various free public drawing stations to draw dancers, paint with your bike (!) and draw on the sidewalk!

Join in next year!!!

Vancouver Drawdown!

drawdown chalk drawing
Random Acts of Chalk

I’m mentoring photographers and shooting stills at the Vancouver Drawdown event this weekend with my main man Josh Hite! If you’re interested in learning to shoot photos and capture the moment, draw on the sidewalk with a bunch of cool artists, or draw live dancers, come on down!