Umberto Eco: Not such wicked leaks

From nettime-l, the international net.criticsim discussion list.

Re: Umberto Eco: Not such wicked leaks.

I think this article [about the mundane nature of the wikileaks cables] is un-Ecoistically weak, in that he seems to miss much of the substance of the leaks.

In the case of Canada, a long blow-by-blow review of a Canadian made-for-TV movie  series was sent by secret cable to Washington and revealed the deeply wounded psyche of the American diplomats doing the review. Eco is right that the cable consists mainly of mass-media summaries, but they are more useful than he acknowledges.

Getting posted in what Mordecai Richler called “small-town Ontario” must have been bad enough for the yanks in the embassy. Even worse was to find that these small-time hicks had their own national television network, and that on this network were unflattering portrayals of the war on terror.

“While this situation hardly constitutes a public diplomacy crisis per se, the degree of comfort with which Canadian broadcast entities, including those financed by Canadian tax dollars, twist current events to feed long-standing negative images of the U.S. — and the extent to which the Canadian public seems willing to indulge in the feast – is noteworthy as an indication of the kind of insidious negative popular stereotyping we are increasingly up against in Canada.”

You can feel the pique in the cable-writer’s words. He’s annoyed by the audacity of left-wing ideas expressed dramatically, of course, and he’s insulted that America is not more respected and admired. He confuses “negative stereotyping” of Americans with negative views of US foreign policy. And of course, he eventually brings it around to the vital topic of how these free-thinking heresies might affect vital US trade interests.

The embassy cable goes on to review, in stunning detail, several Canadian television shows. What struck me was the tone of the reviews. The editorial slant matched precisely the most conservative voices in Canada: the ones who want to eliminate public broadcasting, the funding of culture, multiculturalism etc; the ones who wish we had gone to Iraq; the ones who think liberal is a dirty word.

More importantly, before the cables were leaked, the US showed how vital the tone of these leaks was, rather than their content. They made sure to pre-spin the leaks as “embarrassing” for Canada, not the US, and they said they would reveal elements of Canada’s “inferiority complex.” This is the traditional right-wing spin in Canada; being against free-trade shows an “inferiority complex.” Refusing to go to Iraq is an “inferiority complex.” Etc etc.

-Flick Harrison

Georgia Straight preview of Extra Extra

There’s an interview in the Georgia Straight with Judith Garay, choreographer of the dance piece, Extra Extra, for which I’m making video…

“Known for her abstract yet compelling choreography, Garay’s latest project is a typically comprehensive undertaking, employing as it does 10 dancers, a sample-heavy score from electronic composer Ted Hamilton, and a video collage of found footage courtesy of filmmaker and political satirist Flick Harrison. And in a way, the dancing in Extra Extra reflects her accomplices’ cut-and-splice approach, as it began with the performers assuming poses and imitating gestures drawn from the front page.”

Check it out….

Flick designs video for Dancers Dancing

I’ve been commissioned to design video projections for Dancers Dancing’s piece Extra Extra, at the Firehall Arts Centre from December 1-4th.

Judith Garay, choreographer, has been a longtime colleague of mine, but this is the first time I’ve been invited to enter into the live performances as a projection designer!

The work is about media, war, sports and entertainment, and has never been performed in its entirety: an earlier production had the misfortune to lose Kevin Bergsma, fabulous dancer, on the DAY of the SHOW to a serious injury!

Choreographed by Judith Garay, artistic director of Dancers Dancing, with commissioned music by Theodore Hamilton, costumes by Margaret Jenkins, lighting by John Carter and video by Flick Harrison.  Extra Extra will be performed by ten expressive, strong and versatile dancers of Dancers Dancing.

“The 40,000” Vietnam doc online

Barry Levy in Spook

I used to spend a lot of time doing behind-the-scenes documentaries on feature films.  Since I was working mostly for low-budget independents, the BTS stuff often dropped off the priority list – no one actually used the footage after I handed them the tapes.

But there’s a notable exception: Barry Levy’s The 40,000, which is a full-length documentary produced with footage I shot for his feature film Spook.  It’s about the 40,000 Canadians who served in Vietnam, either by being drafted for their dual citizenship (!) or by volunteering.  Spook is the dramatized version, and The 40,000 is the doc which illuminates the film.

I was fascinated while shooting, and now I’m transported back to that time by seeing the doc.  The real vietnam vet who narrates much of the doc has had his identity obscured to protect him.

The Glass Box by Theatre Terrific

Last night I had the chance to shoot Theatre Terrific‘s production of The Glass Box, a play about sexuality and disability.  It’s a mind-blowing show, mostly because of the honesty of the content, and the fact that its such an unusual and fascinating topic.

VANCOUVER, BC: Theatre Terrific is pleased to present its new work, The Glass Box, a voyeuristic glimpse into the secret lives of people and their passions. Fresh from its debut in Victoria, The Glass Box opens in Vancouver Feb 18 – 28.

The Glass Box follows a 54-year-old wife and mother, a 23-year-old woman living with quadriplegia and a 32-year-old man with Down Syndrome who find themselves trapped in off-beat talk show. They are given the chance to be the iconic figure of their fantasies. The icons answer dangerous questions with hilarious abandon, as Cleopatra unrolls from her carpet, Sophia Loren sways through her famous striptease and Brad Pit lands the big fish.

Charles Adler: nonsensical smear

This article by Charles Adler is nonsense in form and content.

It’s just wild ramblings trying to vaguely connect the Liberal party leadership handover to a criminal influence-peddling scheme.

Never mind the addled writing style. It’s just plain smear, no real substance, just an excuse to wander through sentences that connect Dion, Ignatieff, Rae, and the Liberals to this new crime by a governor in another country.

It is the Conservative party that has the whiff of election hijinx about them; they were the ones who got raided by the Election feds – like Governor Dead Meat.

But even that would be a vague connection at best. Please don’t write stuff if you have nothing to say.

-Flick Harrison

Stephen Harper – the Conservative octopus

Enjoy and share!

I thought it was high time we all remembered the crazy old days when Stephen Harper was baiting the public service, muzzling his subordinates and generally NOT wearing warm fuzzy sweaters. The new ad in which he talks about cracking down on crime in a soft, throaty voice reminded me of the Godfather, but that’s another cartoon entirely.

CLICK HERE to see the cartoon…

And make your comments below.

House of Seikilos

Theatre Terrific is a great little company in Vancouver that produces activist shows – both by working with performers and addressing issues that surround disability.

After I made this video for them to promote House of Seikilos, a show that combines the story of Agamemnon with Arthur Miller’s little-known, abandoned, mentally-handicapped son, I was singing the song for weeks. It happens to be the oldest fully-documented piece of music in history.

From the Theatre Terrific site:

The House of Seikilos is a contemporary twisted family voyage that bridges a Greek tragedy with a true modern tale of fateful decision. In Aeschylus’ The Orestaia, Agememnon the king had to choose to sacrifice or save his daughter in order for his army to sail into war. In the modern world, famous playwright Arthur Miller was gaced with a choice ti deny ot accept the disabled son at his birth. Based on these leaders’ dilemmas, The House of Seikilos explores the choice between embracing public honour or choosing the private honour of family.

Here are excerpts of a work-in-progress presentation, May 2, 2008 at the Vancouver Japanese United Church. The House of Seikilos cast are: Nigel Vonas (father), Tallulah Winkelman (mother), Nathan McNamee (child), Marylin Blandford (elder), Greg Labine (son), Cindy Angel (daughter). Auditions will be held in the Fall for the chorus.

The House of Seikilos premieres April 21 – 26 at the Roundhouse Community Arts and Recreation Centre.

Promo video by Flick Harrison

Is that a secret agenda in your pocket or are you just happy to C-10?

Are you folks following the Canadian tax credit censorship issue? Anyone looking for Harper’s secret agenda need look no further!

Bill C-10, an amendment to the income tax act which runs hundreds of pages long, has 13 words in it that give the government the right to cancel tax credits for film productions unless

“(b) public financial support of the production would not be contrary to public policy.”

In a Conservative majority situation, this could cut out films that depict violence, homosexuality, underage drinking, etc. Are the Conservatives really more interested in protecting Canadian morality than Canadian jobs?

Continue reading “Is that a secret agenda in your pocket or are you just happy to C-10?”